|
||||||
| Log-in/register to unlock all the member quick-links and features! |
 |
 Senior Member
 |
Join Date: Oct 2007
Location: Dundee, Scotland
Posts: 3,552
 |
Fantastic MD! Looks like fun.
|
Kit 1 Nikon D40x Nikon 18-55mm Nikon 55-200mm |
|
|
My Compact/P&S: Sony DSC-W70 |
 Senior Member
|
Join Date: Apr 2008
Location: West Cork, Ireland
Posts: 7,578
|
Fantastic - especially the Pacman one! Looks like great fun! 
xx
xx
|
Kit 1 Nikon D800 Nikkor 50mm f1.4 Nikkor 24-70mm f2.8 Nikkor 105 mm f2.8 macro Nikkor 70-200mm f2.8 Sigma 50-500mm F4-6.3 EX DG HSM Sigma 150-500mm F5-6.3 APO DG OS HSM Nikon 70-300mm AF f/4-5.6G Nikon 50mm f1.8 |
Kit 2 Nikon D700 |
Other Kit View my profile to see my other kit! |
|
My Compact/P&S: Fuji finepix bridge |
 Senior Member
 |
Join Date: Sep 2007
Location: Glasgow, UK
Posts: 1,608
|
Great stuff Ian, enjoyed those
Although I'm not very interested in painting figures, I am very interested in using light painting to illuminate a foreground subject in a long exposure.
Here is an example of what I mean exactly. This image was taken by a chap called David Gillies at a well known location in Loch lomond. 10min long exposure and a small torch used Click HERE to view
this image.
I suppose you could also get this effect from using external flash guns setup arround the subject while doing the long exposure and they could be triggered at the end or beginning of the exposure.
I always have a torch with me, so, I'll stick to using that just now. It's just a matter of being at the right location at the right time to do some of this stuff.
Although I'm not very interested in painting figures, I am very interested in using light painting to illuminate a foreground subject in a long exposure.Here is an example of what I mean exactly. This image was taken by a chap called David Gillies at a well known location in Loch lomond. 10min long exposure and a small torch used Click HERE to view
this image.
I suppose you could also get this effect from using external flash guns setup arround the subject while doing the long exposure and they could be triggered at the end or beginning of the exposure.
I always have a torch with me, so, I'll stick to using that just now. It's just a matter of being at the right location at the right time to do some of this stuff.
|
Kit 1 Canon 5D MKII Canon 400mm f5.6 L Canon 70-200mm f4.0 L Canon 17-40mm f4.0 L |
Kit 2 Canon 50d |
 Senior Member
|
Join Date: Jul 2009
Location: Norfolk, UK
Posts: 2,615
|
Just noticed on the front of 'Photoplus: Canon Edition' february edition that they have an article on painting with light. Looks like the serious stuff DJ is talking about rather than the fun stuff!
Thought it might interst someone.
Thought it might interst someone.
|
Kit 1 Canon 550D Canon 50mm 1.8 Sigma 30mm 1.4 on loan: Tamron 90mm |
Kit 2 Canon 300D (in use by my 10 year old) |
Other Kit View my profile to see my other kit! |
|
My Compact/P&S: broken |
 Senior Member
|
Join Date: Jan 2008
Location: x
Posts: 1,175
|
Yeah, it's the same basic principle, just using it differently.
In some of my previous night-time exposure shots, I've used that technique to add light to buildings etc, but the light graffiti thing is just a bit of fun.
Although, this guy takes it very seriously, and may provide some inspiration to those of you who fancy giving it a go.
I just used a simple torch, but he uses various light sources, all within the one exposure, and some of his stuff is just mind-blowing.
Click the link below to see some of his work:
http://www.michaelbosanko.com/
He has a video section on his website which shows you how he does what he does.
I'm still waiting to see some of your own examples folks!
In some of my previous night-time exposure shots, I've used that technique to add light to buildings etc, but the light graffiti thing is just a bit of fun.
Although, this guy takes it very seriously, and may provide some inspiration to those of you who fancy giving it a go.
I just used a simple torch, but he uses various light sources, all within the one exposure, and some of his stuff is just mind-blowing.
Click the link below to see some of his work:
http://www.michaelbosanko.com/
He has a video section on his website which shows you how he does what he does.
I'm still waiting to see some of your own examples folks!
|
Senior Member
|
Join Date: Jul 2009
Location: Norfolk, UK
Posts: 2,615
|
Quote:
Originally Posted by Mandé Daguerre
Click the link below to see some of his work:
http://www.michaelbosanko.com/
http://www.michaelbosanko.com/
|
Kit 1 Canon 550D Canon 50mm 1.8 Sigma 30mm 1.4 on loan: Tamron 90mm |
Kit 2 Canon 300D (in use by my 10 year old) |
Other Kit View my profile to see my other kit! |
|
My Compact/P&S: broken |
 Admin Team
|
Join Date: Sep 2007
Location: South Wales, UK
Posts: 15,385
|
/Hey guys - moved this to Photography chat as it's sparked off a wider conversation 
/
/
|
Kit 1 Nikon D300 Nikon 55-200mm VR |
Kit 2 Nikon D40 Nikon 18-55mm |
|
|
My Compact/P&S: Panasonic Lumix TZ7 |
|
Admin Team
|
Join Date: Sep 2007
Location: South Wales, UK
Posts: 15,385
|
Quote:
Originally Posted by little me
OMG!!!! Some unbelievable stuff there!
|
Kit 1 Nikon D300 Nikon 55-200mm VR |
Kit 2 Nikon D40 Nikon 18-55mm |
|
|
My Compact/P&S: Panasonic Lumix TZ7 |
 Senior Member
|
Join Date: Aug 2008
Location: Portsmouth, Hants, England
Posts: 622
|
Very good,
I have done this sort of thing before, but not with such defined shapes, its pretty hard to draw a complete shape because you have to remember where you started from
Alan.
I have done this sort of thing before, but not with such defined shapes, its pretty hard to draw a complete shape because you have to remember where you started from
Alan.
|
Kit 1 Canon 5D Mk11 EF 85mm F1.2 L EF 17-40 F4 L EF 100-400 F4.5-F5.6 L EF 50mm F1.8 Sigma F2.8 28-70mm |
Kit 2 Canon EOS 30D EF-S 18-55mm EF 35-105mm EF 70-300 |
Other Kit View my profile to see my other kit! |
